At dusk the “flame” is lit by an internal LED.
At dusk the “flame” is lit by an internal LED. Photo courtesy of Lighthouse Works.

Chris Bogia’s Candle Sculpture Illuminates Fishers Island, New York

Shag carpet, Atari, floral wallpaper, West German pottery, embroidery. These are among the varied influences that have shaped Chris Bogia’s mixed-media sculptures, which masterfully meld the approachable and homespun with a Scandinavian-esque sleekness. Bogia, who recently proclaimed, “I love interiors!” and worked for Todd Oldham during college, is also the cofounder of Fire Island Artist Residency, off Long Island’s southern shore, an experience that may have contributed to his latest installation on another islet—and his first outdoors: Candle on Fishers Island, about 5 miles east of the Connecticut coast.

Bogia was awarded the annual public-art commission from Lighthouse Works, a nonprofit organization celebrating its 10th anniversary that’s devoted to encouraging artist development and Fishers’s year-round cultural enrichment. “In my research, I thought about mid-Atlantic summer communities and their homes clad in shingles and shutters. One of the shutters I discovered had a small cut-out of a candle, which inspired me to think of the candle as a sculpture,” explains the artist. He scaled that motif way up, chose a palette that evokes “the faded colors of well-loved beachwear,” and had it fabricated in aluminum. He then fitted the shaft with an LED so the “flame” is illuminated at night, like a lighthouse.

Bogia grew up in Wilmington, DE, and earned his MFA from Yale in New Haven, CT, but has otherwise spent his adulthood in New York City. He graduated from NYU, where he currently teaches sculpture, has his studio in the South Bronx, and is represented by Mrs., the Queens gallery that just hosted his second solo show. A few blocks north, he’s part of a group exhibition at Sugar Hill Children’s Museum of Art & Storytelling through August 20. Farther afield, his work is on display at Wasserman Projects in Detroit, also through August 20, and he is currently preparing for a show opening September 3 at Perrotin gallery in Paris.

Commissioned by Lighthouse Works on New York’s Fishers Island, Chris Bogia’s Candle is 13 feet tall
Commissioned by Lighthouse Works on New York’s Fishers Island, Chris Bogia’s Candle is 13 feet tall, made of polyurethane-coated aluminum by Versteeg Art Fabricators, and up through December 15. Photography courtesy of Chris Bogia, Lighthouse Works, and Mrs.
At dusk the “flame” is lit by an internal LED.
At dusk the “flame” is lit by an internal LED. Photography courtesy of Lighthouse Works.
Lantern, 2022, in aluminum, zinc, and glass, is another of Bogia’s outdoor sculptures
Lantern, 2022, in aluminum, zinc, and glass, is another of Bogia’s outdoor sculptures. It was featured in his solo show this summer at Mrs., the Queens gallery that represents him. Photography courtesy of Chris Bogia and Mrs.
His Floating City, 2022, in MDF, lacquer, and painted burlap.
His Floating City, 2022, in MDF, lacquer, and painted burlap. Photography courtesy of Chris Bogia and Mrs.
Bogia’s pieces at the Sugar Hill Children’s Museum of Art & Storytelling
Bogia’s pieces at the Sugar Hill Children’s Museum of Art & Storytelling in New York include (in foreground) The Decorator, 2016, in wood, yarn, paint, lacquer, veneer, steal, grass cloth wallpaper, jute rug, and vases; (on the wall) Meditation on a Jonathan Adler Pillow, 2007, in yarn on wood and plastic; and (in background) Big Bonsai, 2019, in wood, steel, plastic, grass cloth wallpaper, lacquer, and jute rug. Photography courtesy of Sugar Hill Children’s Museum of Art & Storytelling, Mrs., and Timothy Lee Photographers.
His Sun Standers, 2017, in yarn on wood, lacquer, veneer, steel, grass cloth wallpaper, jute rug, vase, and fresh flowers
His Sun Standers, 2017, in yarn on wood, lacquer, veneer, steel, grass cloth wallpaper, jute rug, vase, and fresh flowers is at Wasserman Projects in Detroit. Photography courtesy of Wasserman Projects, Mrs., and PD Rearick.

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